Tuesday, May 3, 2011
Self Critique
Tuesday, April 19, 2011
Self Critiue
Final Pitch
The Monfort Family has their share of challenges; but even though they care for a handicap daughter, the Monforts are like any other family: dysfunctional, yet loving.
Explanation of Theme and Intent
We want to share the personal story of the Monfort family. Our focus is not so much on Leann and her condition, but more so the family situation and how they have dealt with the many challenges in their lives stemming from Leann's handicap. Like so many families, they have their share setbacks and issues. We want our audience to see this family not as burdened, but as just another family. There are better and worse family conditions to have; but patience, work, and love drive this one.
Act I
The Intro
Interviews: Louanne Monfort (Mother) with Jimmy Monfort (Father)
(Medium Bust shot)
Questions:
1. Tell me about Leanne’s birth.
2. When did you notice Leann was having problems?
3. What did the doctors say about Leann’s condition?
4. How did you react?
5. Explain how Leann was permanently affected.
6. What changes did your family have to make?
B Roll - Video: the Monfort’s morning
Interactions of Louanne and Jimmy with Leann
Photos: Leann’s birth, surgeries, young photos
Act II-
Interviews
Louanne Monfort with Jimmy Monfort (Medium Bust shot)
Questions
7. What influenced you to have more children?
8. How did your families react to the fact that you wanted more children
9. What impact has your situation had on your realationship?
10. What other situations impacted your relationship
11. How do you think your other children have been affected by your family’s situation?
12. What are your experiences with how strangers react to your family?
13. How did you learn to deal with strangers’ reactions?
14. What other stressors do you have? (finances, time management)
15. What made you decide to keep Leann at home?
16. What were the outside reactions to your decision to keep Leann at home?
17. How does your family spend the holidays?
Kevin Monfort (youngest son) (Medium Bust Shot)
18. What was it like growing up with a handicap sister?
19. How do you feel you are different from other familes?
20. How do your friends react when you introduce them to your family?
21. Tell me about some of the positive experiences you’ve had.
22. Tell me about some of the negative experiences you’ve had.
23. How do you feel your family situation has affected your life?
24. How do you feel your family situation has affected your way of thinking?
Mrs. Dorothy (PA) (Medium Bust Shot)
25. Tell me about the family life you’ve observed within the Monfort home.
26. What is your role in the Monfort home?
B Roll – Video- Normal day-to-day activities
- Mrs. Dorothy taking care of Leanne
- Photos- Monfort children growing up
Act III
Interviews
Mrs. Dorothy
27. How do the Monforts compare to other families you have assisted?
Louanne, Kevin, and Jimmy
27. How do you feel you are similar to other families?
28. What are your plans for Leann’s future care?
29. Where do you think your family will be twenty years from now?
30. How do you feel your family's way of life has shaped your way thinking?
B Roll - Video- The family's normal activities
- Ending a day with Leann
Production Design Statement
We feel our B Roll and specific line of questioning will steer the understanding of the Monfort family's situation. B Roll will pertain to the questions being answered and will also show how life is lived in the Monfort home.
Wednesday, April 13, 2011
Revised Pitch
Final Project
The Monfort's Story:
*The B-Roll will show two days (or more) of following the Monfort family, then lead to the third day of interviewing the family.
*Questions: (more to come when following the family so we can get a more better understand of them first)
1. What do you remember with Leeann birth? Good or bad, tell me more about it.
2. When did you know something was wrong with Leeann?
3. From what you remember, when did Leeann situation get worse? How, has she always been this way, and how was she as a child growing up?
4. Has this situation affected your social life? Are there other situations affecting it? How?
5. What does the family plan to do when you are no longer able to care for your child?
6. If you could wish one thing for Leeann what would it be?
7. (For Kevin Monfort, the younger brother) Tell me about having an older sister that is handicap. How is it no different than anyone else? How is it different?
Story Board:
B-Roll:
-Start off with Louann getting the day started and Ms. Dorothy walking into the Monfort's home (at 8am) to prepare for the day.
Wideshot:
- switch to the parents. Ask the parents, Jimmy Monfort and Louann Monfort, what do they remember from Leeann birth
B-Roll:
-(While the parents are still going on continuing with the question) Photographs of Leeann from when she was a baby will be shown.
Medium Bust Shot:
(Medium bust shot of one of the parents will be on camera, while talking)
B-Roll:
-Louann and Ms Dorthy enteracting with Leeann.
Medium Bust Shot:
-Whole family (Jimmy, Louann, & Kevin) couple of seconds with one or two members of the family) Questions related to: "what you remember, when did Leeann situation get worse? Ect.
B-Roll:
-Kevin, the younger brother, doing what he normally does. Questions.
B-Roll:
-Following Ms. Dorothy and Leeann; ask Ms. Dorothy a couple questions during some B-Roll of how long she has been around the Monfort family, what she does for Leeann, and what Leeann likes and dislikes. Ect.
Medium Bust Shot:
-Interview with Ms. Dorothy.
Wideshot:
-Whole family. Questions about their social life.
(During this question we focus more on the family one on one interview)
Wideshot:
-Whole family. Questions related to their future plans. (focus on one or two members of the family interview)
Headshots:
-Interviews.
B-Roll:
-Ms. Dorothy shift is over (at 5pm). Parents take turns taking care of Leeann.
Wideshot:
-Whole Family.
Headshot:
-Question of their hopes for Leeann.
B-Roll:
-Parents put Leeann to bed.
Medium Bust Shot:
-Parents.
Tuesday, April 12, 2011
Self Critique
Wednesday, April 6, 2011
Crit on Crit
Tuesday, April 5, 2011
Pitch for Final Project
Wednesday, March 30, 2011
Wednesday, March 23, 2011
Assignment writeup
Wednesday, March 9, 2011
Production Schedule
Script
INT. BEDROOM- EARLY MORNING
Both characters, Sean and Brook, are asleep in bed with their small dog between them. The alarm on a cell phone rings. Sean opens his eyes and reaches for the cell phone. He rubs one hand across his face and flips the phone open and it is blinking “wake up…wake up”.
SEAN
Shh!
Sean grunts at the early time. He puts the phone back down and gets out of bed. As he gets up, the movement wakes up his girlfriend. She reaches over and grabs the phone to see the time. She rubs the dog’s head, gets out of bed, and walks to the bathroom behind Sean.
INT. BATHROOM-MORNING
They both get ready (brushing their teeth, combing their hair, showering ext…) without acknowledging each other’s presence.
INT. KITCHEN-MORNING
Brook is leaning against the fridge drinking a glass of milk. Sean walks in front of her to grab his keys.
SEAN
Five o’clock
They barely make eye contact
Brook
Okay
The dog is sitting and looking at Brook like he wants something. Brook laughs.
Brook
Okay, okay come on.
Brook grabs a leash and picks up the dog cuddling him and smiling.
INT. LIVING ROOM-MORNING
Brook re-enters the apartment with the dog and takes off his leash. She reaches down to take off his collar and pets him.
Brook
Be back later Max! Be a good boy today! I’m gonna miss you! Bye Max!
INT. LIVING ROOM- EVENING
Brook walks in from work and puts her things down. She walks to the bedroom.
INT. BEDROOM-EVENING
As Brook Undresses in her closet the time on her clock can be seen; it is four-thirty in the afternoon.
INT. LIVING ROOM- EVENING
Brook sits on the couch watching television. Sean walks through the door and Brook follows him with her eyes as he walks to the bedroom. She picks up her phone and looks at it: Six-thirty.
Brook
I thought you said five?
Sean
Aw yeah, I ran some errands. Is there anything to eat?
Brook nods her head in the direction of the kitchen. Sean heads to the kitchen.
Brook
Why don’t you try calling or something next time you’re gonna be late.
INT. KITCHEN- EVENING
Sean stands over a cold and dry store-bought pizza. He looks disgusted. He pulls out raw meat from the freezer and starts to cook. Brook stands in the entryway.
Brook
So what was wrong with the pizza that I left?
Sean
Look at it! I don’t want it.
Brook
You had to cook that! I was saving that for later. Now the pizza is gonna get cold and nobody will eat it.
Sean
Well if you’re so worried then you eat it.
Brook
I don’t want it. I already ate and I left it for you!
Sean
Oh well, do something with it. I’m not about to eat that right now.
Brook rolls her eyes and walks back to the living room
INT. LIVING ROOM- EVENING
Sean comes in with a full plate of delicious food. He sits and starts to eat when he notices Brook glaring at him.
Sean
Want some?
Brook
Nope, already ate. (making sure not to look at him)
Sean
Good
Sean shakes his head
Brook
What?
Sean
Nothing, nothing at all…
INT. BATHROOM- EVENING
Sean and Brook are preparing for bed. Brook wraps up her hair and heads into the bedroom first.
Brook
It’s your turn…
Sean looks down at the dog and seems very annoyed.
Sean
Let’s go (in a stern voice). Now Max I don’t feel like waiting for you!
The dog follow Sean out the door.
INT. BEDROOM- NIGHT
Brook lays in bed watching tv as the sound of the front door closing is heard. She tosses and turns until the sound of the door closing sounds again. Sean comes into the bedroom, takes off his shoes , and leaves them on the floor. He climbs into bed and they allow the dog to sleep between them.
Sean
What time do you get up?
Brook
Eight
INT. BEDROOM-MORING
It is the next morning. The alarm on the cellphone sounds and Brook wakes up to grab it. She rubs her eyes and sits there for a few seconds before rolling out of bed. She heads for the bathroom.
Brook
Wake up!
Before she can make it out of the room she trips on Sean’s shoe.
Brook
Damn! Watch where you put your stuff!
She waddles into the bathroom. Sean stays in bed as the sound of the shower starts. Water turns off, and Sean rolls out of bed as Brook comes back into the bedroom.
INT. KITCHEN-MORNING
Brook walks in and sees the pizza from the night before all cold and rock hard. She throws it a way.
Brook
(sighs) A waste… Come on baby let’s go outside!
The dog jumps in excitement. Brook grabs the leash and they walk out the door.
INT. BATHROOM-MORNING
Sean is brushing his teeth and shaving. The sound of the door closing is heard. Brook peeks her head into the bathroom.
Brook
I’m gonna be late today. They need me to help finish the project for this weekend.
Sean
What time?
Brook
I don’t know, whenever I’m finished.
Sean
Uh… Can you give me an estimate?
Brook
Not really, um… eight?
Sean
Ok whatever
Brook
Alright
Brook leaves
INT. BEDROOM-MORNING
Sean fastens his shirt and looks at his reflection in the mirror. He also looks at the photographs of himself and Brook throughout their relationship pated to the mirror. They look younger in the first photo. Sean then looks down and sees the camera that he’d given Brook on her birthday. It seems to be in bad shape.
Sean
(talking to himself) I spend an entire paycheck to buy you this camera for your birthday and you treat it like this.
Sean switches the camera on and holds it toward his face. Sean grabs his keys and walks out the apartment door so quickly he almost steps on the dog.
INT.LIVING ROOM. EVENING
Brook comes home and Sean is sitting watching tv.
INT.BEDROOM EVENING
Brook enters and starts putting her things away. She sees the camera on the bed and looks puzzled.
Brook
Not where I left you…
She walks over and picks it up and then turns the camera on. A new video is on the camera and Brook presses play.
Video Plays
Sean
The next time you want some super-expensive gift don’t tell me about it because you clearly don’t care about or take care of your stuff. You know what, next time I’ll just get you some ten-dollar sneakers ; it’s expected for you to tear those up.
INT. LIVING ROOM-EVENING
Brook storms in with the camera in her hand
Brook
What the hell is this suppose to mean?
Sean
Exactly what it says. What did you do? Take the damn thing out in the rain?
Brook
What?
Sean- I didn’t spend all that money for you to treat my gifts like it’s one of your cheap toys.
Brook
Excuse me? Are you seriously mad?! The camera is fine. You’re blowing this way out of proportion.
Sean
And that’s your problem! I can’t stand that about you!
Brook
What are you talking about? I’m not the one making problems out of nothing! I can’t stand that about you!
Sean
The camera is fine… Just like that nasty, dry, sorry excuse for food you tried to give me yesterday!
Brook
Oh the pizza you were gonna eat later? The one I threw away this morning because you were too lazy to even put it up?
Sean
You gotta be kidding me. I told you to do something with that stuff. And I don’t recall ever saying I would eat that crap.
Brook
First of all, you were the one in the kitchen. So why should I have to do anything if you’re the one in there making a mess? We barely talk all week and the first real conversation you wanna have with me is about this? You really need to calm yourself. The camera is fine, it’s just getting a little old.
Sean
Maybe you’re getting a little old! Something is definitely wrong with your mind if you think this is fine! You don’t care about anything. It’s like I’m in a relationship with nobody! I put a lot of thought into buying you that camera; the least that you could do is take care of it. Where the hell is the lens cap?
Brook
Whatever, don’t even act like you’re perfect. Don’t even get me started. So just shut up!
Sean grabs his keys and storms out the door. Brook paces the apartment with an angry look on her face.
INT. BEDROOM-EVENING
Brook looks into the mirror and her face becomes frozen as she looks at the pictures on the mirror. More time passes as she waits and Brook has calmed down; however, she is anxious. She walks over t her bed and sits down. She dials her phone and puts it to her ear.
Brook
Sean, where are you?... Can you come home? I wanna talk… Because this is completely stupid… just talk to me… you were right about the camera.
End.
Crit on Critique
Logistics
a. 3 Characters
b. How many scenes each actor will be in and the total length of their performances.
c. The requirements, number, and types of locations.
e. What special costumes and makeup will be required?
Script Breakdown
Wednesday, March 2, 2011
Wednesday, February 23, 2011
Pitch for Short Film
- secrets
- ignoring problems
- characters' apartment
- park where crime took place (large ditch)
Tuesday, February 15, 2011
Stanley Kubrick : The Shining
Group Project #3
Logistics: Front of Auditorium doors, hallway, stairwell, hallway near mailroom
Shot 1(Wideshot)
Character B watches Character A enter and exit scene.
Shot 2(Wideshot)
Character A walks towards camera while Character B watches her.
Shot 3(Wideshot)
Character A walks away from camera while Character B watches her
Shot 4(Bustshot)
Character B's eyes following from camera right to left.
Shot 5(Close Up)
Character B's face following from camera right to left.
Shot 6(Wideshot)
Character A walking down hallway from camera. Character B follows after.
Shot 7(Wideshot)
Character A walking down hallway toward camera. Character B follows.
Shot 8(Low Angle)
Character A walking up stairs, drops papers. Character B picks it up.
Shot 9(High Angle)
Character A walks up stairs, drops papers. Character B picks it up, smiling.
Shot 10(Low Angle)
Character A walks up stairs followed by Character B.
Shot 11(Mediumshot)
Character B comes through doorway
Shot 12(Mediumshot)
Character A waits for Character B. Trips Character B.
Shot 11(Mediumshot)
Character A tripping Character B. Character B falls towards camera.
Shot 12(Wideshot)
Character B on ground along with file.
Shot 13(Closeup)
Character A tripping B.
Shot 14(Wideshot)
Character B on ground. Character A picks up paper.
Shot 15(Wideshot)
Character A walks off.
Sunday, February 13, 2011
Logistic: Library, hallway, and classroom
Shot 1(Wide shot)
Character A sitting reading paper.
Character B eases in scene from corner.
Shot 1.2(Close Up)
Character A reading paper
Shot 2 (Medium Shot or bust Shot)
Character B peeking around corner.
Shot 3(Insert)
Important paper on table.
Shot 4(Close up)
Character B's smirking.
Shot 5(OTS)
See Character B over Character A's reading.
Shot 6(Wide shot)
Character A looks at watch then gets up and walks away.
Shot 6.2(Close Up)
Character A looking at watch.
Shot 7(Wide shot)
Character B rushes and grabs paper, looks around, runs off screen.
Shot 7.2(Close Up)
Character B grabbing paper.
Shot 8(Close Up)
Character B putting paper in purse.
Shot 9(Bust shot)
Character B in different area. Searches for paper in purse. Worried look.
Shot 10(Close up)
Character B realizes something.
Shot 11(2 shot)
Character B walking to right camera, passing Character A.
Shot 12(2 shot)
Character A walking to left camera, brushing against Character B, smiling.
Shot 13(Medium shot)
Character B smacks head and shakes it and leaves room.
Tuesday, February 1, 2011
Crit on Critique- Sense of Place
Wednesday, January 26, 2011
Assignement Write-up
Tuesday, January 25, 2011
Statement
When a person is in a place, everything that has occured to that person up until that point will affect that individual's perception of that place. What occurs to that individual in terms of what they see, hear, feel, smell, and think makes that person in tuned with their surroundings. This is a sense of place.
A sense of place can also mean that a person enters into a place and it draws their mind to another place. For example, when you bite into a York Peppermint Patty you get the sensation that your on top of a mountain. This would be an extreme example but I think you get the idea.
-where things are located
- what smells are there and where are they coming from
- what does the temp feel like
- what does this place remind one of/ what other places remind you of this one
- what is the mood
- what do we come in contact with
- How do we change/affect what is within a place
- How would one recreate this place in one's mind/ what is most important?
-where is the place located in relation to other places
- what is the significance of a place at a particular time
A Sense of Place
1. A particular portion of space whether of definite or indefinite extent.
2. Space in general
3. A specificf portion of space normally occupied by anything
4. a region or area
Place is basically a set of surroundings. When involved with the senses this includes what one can see, smell, hear, and touch. Place can also influence what one thinks. What associations can one draw when in contact with a place? Physical places can take one's mind into thinking about areas that have a common ground with one's physical surroundings. Moreover, these physical places can take one into a mental place; however, the mental place changes from individual to individual because one's own experiences shape what we percieve and how it is interpreted.